The Fiddlehead Poetry Book Prize recognizes the best book of poetry published by a New Brunswick resident in a given year.

Since 2016 the $500 prize has been sponsored by The Fiddlehead, Atlantic Canada's International Literary Journal. Established in 1945, The Fiddlehead is Canada's oldest literary journal, and its pages have featured a who's who of Canadian Literature.

2026 Award Winner: Ian LeTourneau

Ian LeTourneau, metadata from a changing climate (Gaspereau Press); Fredericton

Judge Hollay Ghadery's citation: 

“These poems resound with the calm sweep of endless blue sky and the pulse-point anxiety of the era in which we live.

In metadata from a changing climate, Ian LeTourneau has created an unforgettable collection that holds the multifarious truths of living: there is beauty and pain, love and fear, hope and despair. Perhaps most of all, there is time enough to connect—with our world, and each other.“

2025 Award winner: Michael Pacey

Van Gogh's Grasshopper (Pottersfield Press, 2024); Fredericton

In Van Gogh’s Grasshopper, Michael Pacey invokes the kind of intense observation and passionate curiosity that suffuses the rich, time-honoured tradition of naturalist writing. Focusing on the vibrant life of insects and their survival, these thoughtful, beautifully crafted poems pay homage to the complexity, ingenuity, and transcendent mystery of tiny, non-human life forms.   Pacey’s finely polished, contemplative poems usher us into a meditative world and remind us that the universe hums in the smallest of things.

Finalists:

Matthew Gwathmey, Family Band (Porcupine’s Quill); Fredericton

Gerald Arthur Moore, Flak Jacket (NON Publishing); Moncton

2024 Award winner: Fawn Parker

Soft Inheritance (Palimpsest Press); Fredericton

Judge's citation: Fawn Parker’s Soft Inheritance provides a series of lovely portraits of her mother’s journey through illness and the spaces this journey opens up in her life. The poems are sparse and fragile with frequent turns to banality as a source of comfort. We are reminded of the futility of our daily rituals even as they are transformed by our confrontations with death, even as they transform our confrontations with it.

“My mother laughed and applied her makeup,” the speaker of “Strawberry Thief” reports. But what is the result? “She talked freely about death.” Somehow, these disorientations offer up our truest self-representations. Parker’s tone is often wry and at times cynical. We are not just being led through poems of grief and love, we are being schooled in how to relearn grief and love.

In particular, I loved the intimacy of this relationship: mother and daughter so deeply entwined, yet still struggling for relevance in each other’s scripts. While the poems dwell on several themes (love, beauty, the body, grief), and roam elsewhere with other people, they often return to this interwoven pair, as though no one and nothing else can compete with their bond, nonetheless verging on a kind of disintegration. A moving collection, poised perfectly between sardonic life and sad love.

Finalists:

Matthew Gwathmey, Tumbling for Amateurs (Coach House Books); Fredericton

Allan Cooper, The Face of Everything (Pottersfield Press); Riverview

2023 Award Winner: Sue Sinclair 

Almost Beauty

Goose Lane

Judge Weyman Chan's Comments: "At surface glance, a Sue Sinclair poem draws its quotidian lines plainly. Then, as you dive deeper, ontological arguments of growth versus death, change versus integrity, proceed in whispers. The force of what it is to exist, consecrates the reader: “In the ruptured darkness / we grasp what we can and look within.” While her book Almost Beauty: New and Selected Poems might be viewed as a best hits album, the consistent tone and range of these pieces are cumulatively stunning. The poet stays clear of sentiment, leaving stacked perspectives to tease out for her what it is to “anchor yourself / more firmly to the ground”. Cohesively, the author wins rare gems in plain sight. Quiet leaps in felt circumstance clarify for the reader “The density of being here, our lives an unearned / rescue.” Sinclair tempers then hones her empathic eye over humanity’s mistakes and hopes, “fascinated / by themselves and a little / ashamed.”

Finalists

Amber McMillan
This is a Stick-Up (Wolsak and Wynn)

Michael Pacey
Wild Apples: A Dialogue with Thoreau (Pottersfield Press)

2022 Awards

Winner: Triny Finlay

Myself a Paper Clip

Goose Lane

Judge Isabella Yang's Comments: "Myself a paperclip is an extraordinary, moving collection that resonated and comforted me across the duration of several months while judging this book award. The polyphony of experiences juggling the complexities of mental health within the psych ward offer a rare and urgent representation of the feelings, agency, and storied narratives of those in their most vulnerable; however, the voices here exhibit nothing but great tenacity, wit, and a courage that remains firmly grounded in the memory accounts of the body at times when a sense of physical grounding might feel challengingly remote.

Finlay adopts an original form of the serial poem punctuated by the pace of vertical ellipses. These poems resist dichotomies and systemic nullification. They also perform a precise expression of the non-linear, fragmented progressions of time that accompanies mental illnesses through their periods of dissociation, loss, struggle, and recovery. It is a book that, in my opinion, speaks to the experiences of those—both patients and caregivers—familiar with broader forms of inpatient care and seeking care within hospital units as well."

Finalists

Rebecca Salazar sulphurtongue (McLelland & Stewart)

Jane Tims a glimpse of water fall (Independent)

2021 Awards

Winner: Allan Cooper

Waiting for the Small Ship of Desire

Pottersfield Press

Judge Yusuf Saadi's Comments: "Cooper’s poems brim with emotion and suggestion; they sometimes break up on the shores of the rational into the almost mystical. He leans into mystery with startling lines: “I wonder if my father, after he died, / woke up as a small boy again / eating at his parent’s table” or a song in which one can “hear the sadness breaking open / to become … a midnight / train.” These poems are personal, often retrospective, tracing the “changing faces of desire” over a lifetime. There are images and poems here that I would like to keep with me."

Other Finalists

M. Travis Lane Keeping Count (Gordon Hill Press)

Emily Skov-Neilsen, The Knowing Animals (Brick Books)

2020 Awards

Winner: Jennifer Houle
Virga
Signature Editions

Judge D.A. Lockhart's comments: "This collection is stunning in its exquisite feminine beauty and strength. There is depth, almost a vastness, with which these poems read. The reader finds themselves swimming in a beautiful and sensual universe. One becomes intertwined with myth, with the stars above, with the young poet, with the wise poet, and comes away with a sort of experience reading one of the finest collections of poetry can garner. This is poetry that is beautiful, engaging, approachable, and highly memorable."

Other Finalists

Lucas Crawford, Belated Bris of the Brainsick (Nightwood Editions)

Matthew Gwathmey Our Latest in Folktales (Brick Books)

2019 Awards

Winner: Jenna Lyn Albert
Bec & Call
Nightwood Editions

Other Finalists

Herménégilde Chiasson
(trans. Jo-Anne Elder)
To Live and Die in Scoudouc
Goose Lane Editions

​Kayla Geitzler
That Light Feeling Under Your Feet
NeWest Press

2018 Awards

Winner: Allan Cooper
Everything We Love Comes Back to Find Us
Gaspereau Press

Other Finalists

Wayne Clifford
Flying the Truck
New Brunswick Museum

Kathy Mac
Human Misunderstanding
Roseway

2017 Awards

Winner: M. Travis Lane
The Witch of the Inner Wood
Goose Lane Editions

Other Finalists

Wayne Clifford
The Exile's Papers
Porcupine's Quill

Robert Moore
Based on Actual Events
Signal Editions

2016 Awards

Winner: M. Travis Lane
Crossover
Cormorant

Other Finalists

Phillip Crymble
Not Even Laughter
Salmon Poetry

Michael Pacey
Electric Affinities
Signature Editions