Hello, Members and Friends. Now that the holidays are over, it’s time to hole up with your writing projects and let your imagination warm up the wintry weather. There’s plenty of writing-related activities to keep us busy until Spring: The 2024 New Brunswick Writing Competition is now open. Remember that the competition is open to New Brunswick residents only--unless you are a WFNB member. WFNB members can participate from anywhere. · Review the submission category guidelines · Prepare your submission - word counts are strict! · Wait for the competition to open on January 1 · Go to https://wfnb.ca/Writing-Competition, · Select your category on the writing competition page · Click the "Add to Cart" button (they won’t work until January 1) · Complete the checkout process · Send your blind submission and your cover letter with details to info@wfnb.ca Our fine lineup of judges looks forward to reading your submissions! Deadline is March 31. Our next monthly workshop meeting happens tomorrow on Saturday, January 13, with the very funny and talented Marshall Button. He will be leading an in-person two-hour session on writing comedy, but it will also be available online. Check out the event page for more information if you’d like to register (at the very last-minute!) And on Thursday, February 8, Vanessa Hawkins will present an online two-hour workshop called Ink and Intimacy –you know we all wanna know how to write effective sex scenes. You can register for that now, as well. On March 16, Beth Powning will present a three-hour workshop, touching on both memoir and historical fiction from her home in Markhamville. (Space at this hybrid event will be limited.) Look for that event page before the end of January. The event page for the winter retreat at Villa Madonna is open and ready for registrations. That’s February 23-25. We need a minimum of 15 people to hold this event, but registrations have begun to flow in. Our winter writing mentor will be Terry Armstrong. We’re still working on venues and other details for WordSpring in Moncton this year, but we can tell you that the dates are May 31 - June 2. The New Brunswick Writing Competition Literary Soiree will take place May 31 at the Empress Theatre (above The Capitol), and the 2023 NB Book Awards will be held June 1, at the Moncton Press Club. Mark your calendars! The event page for this big weekend should be ready by late March or early April. That’s it for now. Stay warm, writers. Rhonda and Kris Welcome, New Members John Ball writes from Fredericton and is interested in the genres of fiction, poetry, and short stories. Welcome, John! Madi Banks is a student in Fredericton, and writes in the genres of childrens, young adult, flash/micro fiction, freelance writing, graphic novel, spoken word, middle grade, short stories. Welcome, Madi! Andrew Butters (https://potatochipmath.com) is an essayist, novelist and memoirist from Dieppe, NB who writes in a wide variety of genres: Creative nonfiction, Essays, Fiction, Memoir, Nonfiction, Science Fiction, Suspense, Young Adult, Thrillers, and Short stories. Welcome, Andrew! Steve Chrysostom writes in the genres of Biography, Corporate writing, Editing, Memoir, Playwriting, and Short stories from his home in Alma. Welcome, Steve! Jennifer Houle is a New Brunswick Book Award winning poet (Virga, 2019, Signature Editions) who lives near Fredericton and writes in the following genres: Children, Editing, Essays, Nonfiction, Photography, Poetry, Website copy. Welcome, Jennifer! John Neeleman (pen name Eric Delong) is a debut writer of Sci-Fi short stories and Novels and also writes an eclectic mix of Children's stories, Bio, Horror, Satire, mystery, humor (and even a cookbook.) Welcome, John! Shane Neilson (https://difficulttogetthenewsfrompoems.ca/) Born and raised in New Brunswick, Shane is a poet and a physician now living in Ontario, and focuses on the genres of poetry, memoir and short stories. Welcome aboard, Shane! Kate O’Rourke focuses on Fiction, Speculative Fiction, Mystery, and Thrillers. Welcome, Kate! Aaron Pope is a writer from Saint John who enjoys a wide variety of writing disciplines: Creative non-fiction, Editing, Essays, Fiction, Historical Fiction, Journalism, Non-Fiction, Poetry, Flash/Micro fiction, Freelance writing, and Short stories. Welcome, Aaron! Cynthia Ramsay joins us from Geary and writes Fantasy, Fiction, Historical Fiction, Horror, Suspense, Young Adult, Flash/Micro fiction, Middle Grade, Mystery, Thrillers, and Short stories. Welcome aboard, Cynthia! Stephen Roney (pen name Stephen Kent Roney, Katie Swift also comes to us from Ontario and writes in the genres of Creative nonfiction, Fiction, Poetry. Welcome, Katie! Member News Jaroslaw (“Jerry”) Iwanus is proud to announce his new website, The Prairie Maritimer (https://theprairiemaritimer.com). Created as a public portfolio, it is a repository of opinion, observations, and poetry from an edge of Canada, namely Pointe-Sapin, NB. Originally from Winnipeg, MB and after 40 years in Alberta, Jerry is a freelancer who has done technical and expository writing for years and has recently added to his repertoire with poetry, essays, and reviews. *** Hannah State would like to announce the release of her book, Journey to the Dark Galaxy, a sci-fi thriller, which is the sequel to the award-winning book, Journey to the Hopewell Star. Find more details here Have you published or self-published a book? Won an award? Are you hosting a book signing or launch event? Share it here! COMPETITIONS The CBC nonfiction prizeis now open between Jan. 1 and March 1. You can submit original, unpublished nonfiction that is up to 2,000 words. There is no minimum word requirement. Nonfiction includes memoir, biography, humour writing, essay (including personal essay), travel writing and feature articles. CBC offers 3 prizes for original, unpublished work: the CBC Short Story Prize, the CBC Nonfiction Prize and the CBC Poetry Prize. The winner of each receives $6,000 from the Canada Council for the Arts, a two-week writing residency at the Banff Centre and the five finalists have their work published on CBC Books. The CBC Literary Prizes poster is here to download. *** The Writers' Union of Canada invites submissions to its 31st annual Short Prose Competition for Emerging Writers. Unpublished works of fiction and nonfiction up to 2,500 words in English are eligible, and writers may submit multiple entries. A $2,500 prize will be awarded to the winner. The Union is proud to announce an esteemed group of jurors for this year's Competition: Francine Cunningham, Frances Itani, C.M., and Ian Roy. Emerging writers, get writing! The deadline for submissions is February 19, 2024. Learn more: http://ow.ly/cMHR50LSVR7 *** "THE DAVE" IS BACK! Dave Williamson National Short Story Competition The Manitoba Writers’ Guild is thrilled to announce the Dave Williamson National Short Story Competition has returned for its second year - with cash prizes worth $2000, complimentary membership for winners, and guaranteed publication for winners and honorary mentions. Check out our poster, follow the link to the complete guidelines posted on our https://mbwriters.ca/programs/short-story-competition/, and begin to capture those thoughts tantalizing your mind and shape them into a story. If you have any questions, please contact us at MWGcontesto@gmail.com (the 'o' in contesto is the letter 'o' not the number zero). Our Inaugural Dave Williamson Short Story Competition was listed as one of Reedsy's best writing contests of 2023. ***
Attention emerging poets from Black, Indigenous, and other racialized communities. Icehouse Poetry has announced their inaugural Claire Harris Poetry Prize! The prize will be awarded to a full-length debut poetry collection and will include $1000 of prize money, a contract for the publication of the collection under the icehouse poetry imprint in the following year (2025), and public readings in at least three Canadian cities. Submissions will be accepted between January 2 and March 31, 2024. https://gooselane.com/.../claire-harris-poetry-prize... *** Call for Entries: 2024 Next Generation Indie Book Awards Calling all indie book authors and publishers - including small presses, mid-size independent publishers, university presses, e-book publishers, and self-published authors who have a book written in English released in 2022, 2023 or 2024 or with a 2022, 2023 or 2024 copyright date to enter the most rewarding book awards program. The Next Generation Indie Book Awards offers more than 80 awards – more than 80 monetary prizes totaling over $10,000 in cash, including $1,500 cash prizes plus trophies for best fiction book and best non-fiction book, $750 cash prizes plus trophies for second best fiction book and non-fiction book and $500 cash prizes plus trophies for third best fiction book and non-fiction book! "Independently-published books have become a major source for quality fiction and non-fiction, but often go unrecognized by the mainstream publishing industry," notes Marilyn Allen. "Finally, an awards program has been created to recognize talented authors from this important segment of our industry. I have been a part of representing over 100 authors, and always looking for new talent, so it is a great pleasure to be part of this program. We look forward to reviewing the works of the 80 best candidates and helping these authors gain the recognition they deserve." Entry deadline for the 2024 awards program – February 14, 2024. https://www.indiebookawards.com/ *** Announcing the Seventh Annual Pottersfield Prize for Creative Nonfiction For the seventh annual prize, Pottersfield Press is again looking for submissions from writers who can provide a manuscript of 30,000 to 150,000 words in any of the following categories: history, memoir, autobiography, biography, literary journalism, political or social commentary, travel writing or virtually any existing or new category that uses the nonfiction medium to tell a story or put forward an idea. The First Prize winner will receive a contract for the publication of the winning book along with a $1000 advance on 10% royalty for all sales. The Second Prize winner will also see the publication of the book and a $800 advance on 10% royalties. Deadline is April 30, 2024 but early submissions are encouraged. Submit your manuscript electronically as a double-spaced basic Word document to: pottersfieldcreative@gmail.comand include on the title page your name, address and email address. Entry fee is $25 (includes HST) and can be paid by Interac Transfer (also to pottersfieldcreative@gmail.com), Paypal or by cheque made out to Pottersfield Press mailed to 248 Leslie Road, East Lawrencetown, NS B2Z 1T4 Canada after the manuscript has been submitted by email. www.pottersfieldpress.comWinners will be announced on June 30, 2024. The winners of the Sixth Annual Pottersfield Prize for Creative Nonfiction are Martin Bauman in first place for Hell of a Ride and Chris Harvey-Clark in second place for In Search of The Great Canadian Shark. Bauman’s top winning entry is a coming-of-age tale of a 7,000-kilometre solo bicycle voyage across Canada. The second-place winner is a first-hand account of diving research adventures with sharks and other exotic undersea creatures in Canadian waters. Both books will be published by Pottersfield Press in 2024. *** An exciting new prize will launch at the end of November. From November 30 submissions to The Paul Cave Prize for Children's Literature will open to writers and poets from around the world. "Writing an engaging children's story that grips the reader is difficult," says one of the judges, Tim Saunders. "It's a great opportunity for budding writers especially when getting noticed by a publisher is one of life's great challenges." Entries close February 28, 2024. There are three categories: Best short story - 5,000 words or under Best flash fiction - 300 words or under Best poem - 30 lines or under Winners will receive a cash prize and a copy of the book. More information here: https://tsaunderspubs.weebly.com/the-paul-cave-prize-for-childrens-literature.html CALL FOR SUBMISSIONS Announcing Lost in the Fog Partridge Island Publishing’s 2024 anthology Deadline is January 31, 2024 up to 2 entries per person. Maximum word length 3,000 words. We accept poetry and prose. Must contain the [flexible] theme 'lost'. Email questions or submissions to amanda@partridgeislandpublishing.ca *** Canadian writers and poets, The Fiddlehead's submissions are currently open to you! Send us your best poetry, fiction, or creative nonfiction by March 31. https://thefiddlehead.ca/submit #submissionsopen #submit #callforsubmissions #canlit #poetry #fiction #nonfiction *** Poetry submission alert! Palimpsest Press submissions will be open from February 1 - March 31, 2024. They are currently looking for literary fiction by BIPOC, DEAF, and DISABLED authors. Poetry collections should be between 70 and 100 pages. Nonfiction and fiction have no page requirement. They are not accepting short fiction. They do not publish historical fiction. Although you do not need to be published in book form, you must have been published substantially in literary journals. If you are sending poetry or non-fiction, please query jim(at)palimpsestpress.ca with a sample first. If you are sending fiction, please query aimee(at)palimpsestpress.ca with a brief description of the work and short sample (No more than 4 pages). Include a cover letter and a list of publications for all genres. More info at the link above. *** GEIST has extended their deadline for nonfiction and comics to January 15, (which is Monday – got something in your back pocket?) -- open for short non-fiction (800-1500 words), longer non-fiction (up to 5000 words), and comics submissions. Please read Submission Guidelines before submitting: geist.com/writers/submit GRANT APPLICATIONS Call for Submissions: Access Copyright Foundation Marian Hebb Research Grants. Deadline: February 15, 2024 Access Copyright Foundation has begun to accept applications for its next round of funding for Marian Hebb Research Grants. The Foundation’s Marian Hebb Research Grants program supports—both virtually and in-person—inquiry, information gathering and exploration by individuals and organizations relevant to Canadian publishing, writing and visual arts, and toward the realization of a publishable work in progress. If this sounds like work you are currently undertaking, we heartily encourage you to consider applying for a Marian Hebb Research Grant. Applications will be accepted until February 15, 2024 at 11:59 p.m. CST. To apply for a grant, please visit the SK Arts Portal. The Foundation’s grants program is administered by SK Arts. Learn more about the Foundation’s Marian Hebb Research Grants program by visiting the Foundation's website or download its Application Guidelines (please refer to pages 14-19). Important eligibility information about Access Copyright Foundation’s granting programs Access Copyright Foundation wants to make sure its granting programs provide the widest and most equitable opportunity to those communities that the Foundation serves. That’s why the following eligibility restrictions are in place for grant recipients.
NEWSY BITS When ArtsLink NB's CATAPULT Arts Accelerator program opens for submission in 2024, consider applying to the program as a mentee. Catapult gives New Brunswick artists the tools to be prolific & build sustainable careers, but writers rarely take part in this business development program. You’ll get business skills training, career development, workshops, and mentorship – packed into one eight week program, designed to help you to be purposeful and organized about the business side of your artistic practice. Participants are matched with a mentor in their field for a one-year mentorship, complete with funding for mentorship pairs to visit each other, attend workshops together, or travel together. New Brunswick-based artists or groups/collectives working in any discipline are welcome to apply. Program participants must be members of ArtsLink NB (if not already a member, enrol online at www.artslinknb.com). Tuition for Catapult participants is generously subsidized by the Province of New Brunswick and the Government of Canada. Email catapult@artslinknb.com for more information about next year's program. *** The Royal Society of Literature is inviting public recommendations of writers from you, their writer peers and readers. They are seeking recommendations of writers of diverse literary forms, including writers of drama, fiction, graphic fiction, non-fiction, poetry, and screenplays. These will be writers not resident in, or citizens of, the UK, who have published or had produced two works of outstanding literary merit (where works are translated into English, or originally written in English). Guided by your recommendations, our panel will make a recommendation of writers to be appointed RSL International Writers. Please consult the eligibility criteria and terms and conditions prior to completing your recommendation. Recommendations will only be accepted via the form below and must be submitted by 3 May 2024. Your recommendations will be read by a panel of Fellows including Kit Fan (Chair), Moniza Alvi, Kwame Anthony Appiah, Chloe Aridjis, Homi K. Bhabha, Margaret Busby, Maureen Freely, Deirdre Osborne and Nathalie Teitler. Submit your recommendation here! EVENTS
WORKSHOPS, COURSES, RETREATS *** Banff Centre is excited to announce their new Literary Arts residency programs for 2024/2025. Full program details and application information are available online. Literary Arts Thematic: Form and Constraint – Spring 2024 This program will consider how authors of fiction and poetry use form and constrained forms to create opportunities for new and unfettered expression. Program dates: April 22 – May 3, 2024 | Application deadline: January 10, 2024 Literary Journalism: Memoir – Summer 2024 This residency gives memoir writers time to work on their manuscripts, have individual consultations with faculty, and participate in workshops. Program dates: June 10 – 21, 2024 | Application deadline: February 7, 2024 Summer Writers Residency - 2024 This is a self-directed program offering time and space for writers to reconnect and re-energize their practice. Program dates: July 29 – August 9, 2024 | Application deadline: March 6, 2024 Early Career Writers of Fiction Residency – Fall 2024 During Early Career Writers of Fiction Residency, new writers of fiction – from not-yet-published writers to those with one published book – will expand upon their practice. Program dates: September 30 – October 12, 2024 | Application deadline: May 16, 2024 *** Go and Write! retreats are designed for writers, by writers. Our participants range from those who are just getting started, to published, professional authors with years of experience. We support all types of writers, including poets, memoirists, travel writers, playwrights, fiction and non-fiction writers, children’s writers, and those who want to jot down thoughts about their journey along the way. Because we’re writers, we get it—writers need time and space to write, and we structure our retreats to have a balance of quiet writing time, touring, and time spent together. We don’t pair up strangers on retreats, but participants are welcome to bring a partner, relative, or another writing friend to share their space and costs; all participants, whether or not they are writers, are encouraged to take part in as many or as few of the elements of the retreat as they like. We hope you’ll join us this year. See below for our 2024 retreats, and contact us if you’d like to discuss details. You can also check out our previous adventures to see where we’ve hosted past retreats. We’re actively rolling out our 2024 lineup and will be announcing these retreats as we get each one finalized, so sign up for our newsletter to be in the know early. Check back next month for more writing development opportunities from the web, across Canada and across the globe! *** Prairie Fire, a Canadian Magazine of New Writing, is giving centre stage to women writers fifty and over! This special issue is a celebration that honours and recognizes the enormous contribution of living Canadian women writers, who have helped shape CanLit and continue to do so. Deadline: February 15. https://www.prairiefire.ca/call-for-submissions-50-over-50/ If you are a woman, aged fifty and over, have at least one published piece of writing (literary journals, non-literary journals, writing group publications, anthologies, books, etc… we’re really not picky on this point.) and live in Canada (or lived a substantial amount of your life in Canada) then we want to see your unpublished work, as we compile this mosaic of new writing to be released in fall of 2024. This special issue, tentatively called “50 Over 50” will be guest edited by Katherine Bitney, poet and one of the founders of Prairie Fire Press. LITERARY AWARDS Jury Announced and Call for Submissions Issued for the 27th Annual Danuta Gleed Literary AwardThe Writers’ Union of Canada and the Gleed family are pleased to announce the jury for the $10,000 Danuta Gleed Literary Award, Canada’s pre-eminent award for the best first Canadian collection of short fiction in the English language, now celebrating its 27th year. WRITING GROUPS Fredericton Writers’ Groups
Journals, Zines and Podcasts
Publishers and Literary Markets
Grants, Residencies and Poet Laureateships Provincial Grants Artsnb administers eight grant programs. Deadlines vary throughout the year. You can submit your grant applications online. In addition, ArtsNB:
Federal Grants
An artist with a new and early career artist profile is eligible to apply for grants from three Explore and Create components:
To be eligible as a New/Early Career Artist, you must:
Create an account on the portal, and then submit a new and early career artist profile. You can only have one of these profiles. Create it and apply with your main field of practice—you can still apply for grants with other fields of practice later on. Make sure your CV matches with the eligibility criteria listed above. We recommend you get started with your profile well ahead of the competition you’re working towards because your profile will need to be validated before you can apply for a grant. Canadian Writing Markets
Services for WritersWriting Mentoring /Coaching
Editing
Self-Publishing
Translation
Post a Short AdIt's free for members (runs indefinitely) and $15 for non-members. For members, this service includes posting your ad on the Resources page of wfnb.ca. Ongoing Membership BenefitsGroup Health Insurance for WritersThe Writers’ Coalition Program offers an affordable personal health insurance plan for WFNB members. To obtain a quote, just provide your province and date of birth here. WFNB Bookstore ClubPresent your current membership card to receive a 10% discount at the following independent bookstores: and Blind Forest Books & Novelties in Sackville, Cover to Cover Books in Riverview, Tidewater Books in Sackville, and Westminster Books in Fredericton. Regional RepresentativesRegion Representative Charlotte Country, St. Andrews Vanessa Hawkins Fredericton Jenna Lyn Albert Moncton, Dieppe, Riverview Kayla Geitzler Saint John, Grand Bay-Westfield, Rothesay Martha Vowles Shediac Louise Comtois Sussex Jane Simpson Tantramar, Sackville, Port Elgin, Dorchester Geordie Miller Lifetime MembersNancy Bauer, Ann Brennan, Kent Bulmer, Rhonda Bulmer, Wayne Curtis, Sheree Fitch, Jean Frances, Cathy Fynn, Ginny Hill, M. Travis Lane, Gwen Martin, M. Anne Mitton, David Adams Richards, Valerie Sherrard, Lee D. Thompson, Doug Underhill Become a Lifetime MemberLifetime membership costs $1000. We appreciate the generosity of those members who are ensuring the continuity of the WFNB, and its impact on NB writers, by such a donation. Contact us at info@wfnb.ca for more details. Lifetime Membership has been bestowed on those founding members who helped establish the WFNB in the 1980s. It is also sometimes bestowed on those who have made a significant volunteer contribution to the life of our organization. See the main page of our website for a list of general sponsors, and sponsors of our awards programs. | SEEKING BACK ISSUES of Historical publicationsDear WFNB Members: Ian LeTourneau is currently looking for New Brunswick books, chapbooks, magazines, broadsides, and ephemera for research and collecting purposes. He is happy to take anything you have off your hands or negotiate a fair price for the rarer stuff. Specifically, Ian is looking for: Books Cadence. Female Voices anthology. Edited by Kayla Geitzler and Elizabeth Blanchard. Frog Hollow, 2020. Scroll. Wombat Literary Series #1. Fiddlehead Poetry Books: especially Fred Cogswell, Stunted Strong (1954), Al Purdy, Emu, Remember! (1956), FIVE NEW BRUNSWICK POETS, but he also has many holes to fill from their 300+ publications. Any New Brunswick chapbooks, but especially 9-14, 16-20, 22-23. Any books or chapbooks by RM Vaughan or Owl's Head Press. Any chapbooks by Joe Blades or Broken Jaw Press or Wild East Publishing Co-operative (they produced the Salamanca Chapbook series). "A little something..." series of broadsides by Broken Jaw, Ian needs: 1, 9, 22-25, 28, 31, 36, 37. Very early issues of The Fiddlehead: Ian needs 1-17, 23-26, 30, 31, 33, 34, 37, 49, 53, 55, 67, 68 and a broadside “I’m a silence so grim” by Milton Acorn which was folded inside spring 1963 issue, no. 56. The Cormorant: I need Issues 1.1- 9.1, 10.2, 11.2-12.2, 15.1-onward but happy to have any in duplicate. Any back Issues of magazines such as Urchin, Floorboards, Germination, Qwerty, New Muse of Contempt, Dooryard Post, ArtsAtlantic, Intervales, First Encounter, Galleon, Vox, Studies in Canadian Literature, Ellipse, Pottersfield Portfolio (esp. the NB-printed ones), etc. Any chapbooks, broadsides, etc. by NB authors. Ian would be particularly grateful for NB literary ephemera like printed editions of NB Ink, the WFNB newsletter, old Goose Lane or Broken Jaw catalogues, event/reading posters, programs, brochures, Writing on the Wall exhibition brochures (only missing Nela Rio), newspaper sections like NB Reader, Salon. And in general, anything NB produced or by an NB author. Please contact Ian LeTourneau at ian.letourneau@icloud.com if you have any of the above. Thank you! A note about our Inkspot Survey We sent out a call for information earlier in the summer to help develop our strategic plan and fundraising efforts. We sent a link to a long and boring survey about demographics and program satisfaction and were hoping to get enough responses to be able to measure a decent population size. We do know that filling out online surveys about demographics and program satisfaction is not a super exciting summer activity, so we were cautiously optimistic. We were very gratified to have received more than eighty completed responses, and lots of actionable suggestions and valuable info. Thank you! We drew an email from all of those provided by responders and have sent information to that winner about how to claim their free year of WFNB membership. Congrats! Many responders value WordSpring and WordsFall very highly (and the chance they provide to spend time together in community while learning craft and business skills), as well as the opportunities for employment and public outreach that programs like WiSP can provide to writers. You'd also like to see more monthly or online workshops, further development of public readings or showcases, the broadening of access to programs, and a solution to the problem of finding and sustaining smaller writing groups. Thanks again for the thoughtful and helpful responses you all took the time and effort to share with us. We'll be sharing more information about how we are planning on folding your ideas and priorities into our continued development of WFNB programs and initiatives over the coming months. We're really excited about things to come, so keep an eye out for more updates. A word about Writing Groups
When filling out their member profiles, a great many people tick off the box beside the sentence, "I would like to join a writing group," and others also very often tick off, "I would like to create a writing group." We have just updated our list in Inkspot thanks to a recent informative post on our Facebook page, but there are undoubtedly more writing groups. We'd like to know more about groups in Moncton, and ones that take place outside of our three major cities. Do you have a writers' group that meets elsewhere? From Sackville/Dorchester, up the Acadian coast to Shediac, Bouctouche, Richibucto, all the way to the Miramichi, Bathurst, Campbellton or Edmunston? How about along the Fundy coast, or the Western part of New Brunswick? If you do, and you are open to new writers, please let us know. Writing groups are tricky things. There's a certain amount of magic involved in getting a productive group together, and the members themselves must be motivated to create it and keep it running. But there is no doubt that being involved with a regular, committed writing group helps build the skills of writers and pushes them toward publication. In the Inkwell blog in the members-only section, there's a story entitled, "A sprinkle of fairy dust: The magic of Seaside Scribes." This story covers Martha Vowles' 2022 WordSpring workshop on How to Create and Sustain a Healthy, Happy Writing Group - She provided pdfs of her notes on that subject, and they are included at the bottom of the article. This is very practical and helpful. Once again, if you run a current writing group within our membership, if you would like to promote your willingness to create a writing group, or know of other writing groups who are accepting new members, please let us know at info@wfnb.ca, so that we can make that information available to those who might be looking for a group with whom to share their work. In the meantime, if you do not have a writing group, building relationships with lots of other writers--people who you like and connect to--makes the formation of a writing group (or an invitation to join one) more likely. I was invited into a small writing group a couple of years ago - only five people, and most live in Sussex/Elgin, so we always meet in Sussex. They are all published writers, at varying levels, and I'm lucky to be included. I drive to meet them once a month from Moncton. It's a 40-minute drive, but I gladly do it because the relationship is valuable. Another person drives from Fredericton in order to attend. We have breakfast and read what we're working on, and everyone comments on everyone's work, which is in itself a learning process. I don't find that I make the same insightful comments as the others, who are award-winning writers and editors. These things come with time and experience. If you can't find a current group right away, start at least by looking for other writers you might connect with in your community. It's worth the effort. We will be thinking of ways to facilitate community-building for our membership in the future, not just for matching folk together for writing groups, but for all aspects of artistic sharing. Best, Rhonda |